The Paint on Your Fingers

by

The Paint on Your Fingers

The studio smelled like turpentine, coffee, and something else she couldn’t name—but had come to love.

Sofia stood barefoot on the drop cloth-covered floor, her hair piled messily on top of her head, a streak of navy blue paint across her cheek. Her canvas stood in front of her, unfinished, but her mind was somewhere else.

Somewhere behind her, to be exact.

Where he sat.

Milo.

He was leaning against the wall, sketchbook in his lap, an old pencil tucked behind his ear. He wasn’t watching the city skyline or the birds flitting past the window. He was watching her.

And he had been, ever since the first day she let him into her space.

She had always painted alone.

But Milo had this quiet way of fitting in—without noise, without need, without pressure. Just… presence.

“You’re staring again,” she said, not looking back.

“I’m documenting greatness,” he replied, casually. “For future generations.”

Sofia snorted. “You’ve sketched me like, what, thirty times?”

“Forty-two,” he corrected. “But who’s counting?”

She rolled her eyes and turned, arms crossed, paintbrush still in hand. “You’re impossible.”

He smiled softly, setting the sketchbook aside and walking toward her. His hands were stained with charcoal and ink, and he smelled faintly of citrus and old books.

Milo stopped just in front of her, tilting his head. “You’ve got paint right here.” He brushed his thumb gently across her cheek.

She froze. Not because of the touch—but because of the way he touched her. Like she was made of something fragile. Like he was afraid to break the moment.

Her voice dropped. “Milo…”

He looked into her eyes, and in that silence, she felt it—everything he wasn’t saying. Everything he’d drawn in those pages instead.

“I want to be in your world, Sofia,” he whispered. “Not just in the background.”

She felt her breath catch.

For a moment, all she could hear was the faint ticking of the studio clock and the beat of her own heart.

Then, she took his hand in hers—smudged with paint and pencil and dreams—and placed it gently over her heart.

“You’ve been here the whole time,” she said softly. “I was just too afraid to look.”

And there, beneath the glow of the skylight and the smell of color and memory, their story changed.

Not with fireworks.

But with paint-streaked fingers, soft words, and the kind of touch that turns silence into something sacred.

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